I have published critical essays for a range of publications across theatre, performance, contemporary art, urban planning and architecture.

“Enabling Community Land Trusts in Australia” Co-Editor with Louise Crabtree, Carolyn Sappideen, Stewart Lawler, Rebecca Conroy, Joanne McNeill, Arena Publishing, Sydney, 2019

“Practising Self Care in the Arts” NAVA May 30, 2019

“Art and Economics” NAVA March 26, 2019

“Critical Dialogues: Hacking the Anthropocene” Editor, Issue 11, Critical Path. May 2019.

“The Artist’s Exceptional Labouring Body” in Connie Anthes & Rebecca Gallo, Make or Break: A Live Art project. First Draft Gallery: Sydney, May 2016

“A Very Beautiful Laundromat” in National Association for the Visual Arts online publication April, 12, 2015.

“The Dark Matter of Black Markets” in pvi, Blackmarket Performance Space: Sydney, 2015.

“Between Science, Art and Social Design there is community: An interview Andreas Siagian” Inside Indonesia. 11. October, 2014. Print.

“We’re all Economists now, baby” Runway_Money, 11, Sydney: August, 2014. Print.

“The Nostalgia of the Drive In and Community Arts: Aphids in Dromana”. Realtime. Sydney: Opencity, May 21, 2014.

“In the Car Park of my Dreams”, catalogue essay for Funpark, site-based event directed by Karen Therese & presented by Sydney Festival, January, 2014. Web.

“Wilful Ignorance” in Big Book of Ignorance ed. Malcolm Whittaker, Intimate Spectacle, 2013: 11-15. Print.

“Seeking contexts for that ubiquitous place of public gatherings—the community hall: Performance Space’s Halls for Hire” in Contemporary Visual Art+Culture Broadsheet, 42.1. (2013): 69-72. Print.

“Urban Renewal and Public Housing: A rock and a hard spot” in Temporary Democracies, Essay #1 of a three part essay series. Web.

“‘Locating Art and Community in Temporary Democracies’ in Temporary Democracies, Essay #2 of a three part essay series. Web.

“‘The Australian suburb: it’s a class act’ in Temporary Democracies, Essay #3 of three part series. Web.

“Exploring American Artist Run Spaces: Part 2” in Real Time, rt112, Open City: Dec2012/Jan 2013. Print.

“Exploring American Artist Run Spaces: Part 1”, in Real Time, rt111 Open City: Oct/Nov. 2012. Print.

“Counter Tourism” in Time Machine Catalogue. Serial Space: 2012“D is for Detroit” in Real Time Opencity, July, 2012. Online supplement.

“The Economy of the Soil” in We Need you, You Need Us, Catalogue essay published as part of the Exhibition curated Georgie Meagher at Tin Sheds, Sydney, April, 2012. Print.

“Marking Territory with the Waterloo Girls” in Walks for Performance Space, Blood & Thunder. 2012: 24-30. Print.

“Yes, but is it Live Art? A Molecular journey through the nexus of Live Art and Social Practice” Essay published for Live Art is Here, Oct 24, 2011. Web.

“Artist Led Forms of Practice and its Effect on Practice” in Column 5 ed. Reuben Keehan, ArtSpace, 2010: 106-108. Print“Trespassing” in Translab Dialogues, Performance Space, Sydney, 2010: Preface. Print.

“Top Ten Tips for Live Art” published as part of Take off Your Skins, Melbourne Fringe Festival, October 4, 2010. Online.

“In any Language, Gang is Always a Localised Expression” Catalogue essay in Gang: A Creative Network, Gaffa, July 2010.

“Look Back, Move Forward, Cross Borders” in Real Time, Opencity Inc. October 2009: 28-29 Print.

“Gang Ceremonies” in Local Brew, You are Here, Sydney, 2010: 16-17. Print.

“The Tropical Adventures of Kath Ellis” and “Surat buat Widji” in Gang Re:Publik: Indonesia and Australia Creative Adventures. Ed. J. Cornall, R. Conroy, A. Crosby, S. Piper), Gang Incorporated, Sydney, 2008. Print

“Gang” in Decentre: concerning artist run culture, YYZ Books, Canada. 2008: 114-118. Print.

“Cultural Ex/change (or the Art of Nongkrong)”, in Gang, Gang Incorporated, Sydney, 2006: 11-12. Print.