Rebecca Conroy works across site, community engagement, and performative interventions through artist led activity. She has previously worked in the role of Festival Director (Gang Festival), Associate Director (Performance Space); Provocateur (Splendid Arts Lab & Artist Wants a Life) and has been the co-founder and co-director of two artist run spaces in Sydney, The Wedding Circle and Bill+George. From 2011 – 2014 she was conductor of The Yurt Empire, a rogue housing project and encounter in the inner city of Sydney. Recently she developed a project involving radical archiving with a network of artist run libraries, and built a bike-book-machine. She is currently devising plans for an alternative economy in the shape of A Very Beautiful Laundromat for 2018. She is also the conductor of The Drip Feed an online curated platform of critical nutrition for the small to medium arts sector, and in 2015 spent 3 months going on a series of dates with economists in Europe and North America, for an audio piece called Dating an Economist commissioned by Radio National (2016). In November 2017 she will premiere her new work Iron Lady, a performance intervention—part espionage, part invisible labour, set in the finance district.